Annotated Bibliography

                  Cubism – Picasso and Braque

    For my annotated bibliography I chose to research the time frame of the Cubism period
       and the influences from the prior art movement.  Cubism directly followed the Post-
   Impressionism movement. I am curious to find what impact this had on the creativity and
                                     thought process for Picasso and Braque.


Books:
1) Cottington, David. Cubism and its histories. Manchester: Manchester University Press,

         2004.

     
     Recent up-to-date resource, excellent in research. Extensive detail in the history
of the style and the movement of cubism. Lots of illustrations in black and  white, and
a few in
color.


2) Flam, Jack. Matisse and Picasso. New York: Westview Press, 2003.

     Informative book between the rivalry and friendship of the artists. Stories and facts
of their lives are told in chronological order.. Enormous impact on each other's lives.
Few illustrations in black and white.


Book Review in a Journal:
3) Lynton, Norbert. 2003. Cubism – Time Will Tell? Review of Picasso’s Les Demoiselles
         d’Avignon, by Christopher Green. Review of Cubism and Twentieth Century Art, by
         Robert
Rosenblum. Review of A Sum of Destructions, by Natasha Staller. The Art
         Book (March):7-9.
     
     An article about three different books with three different perspectives on cubism.
A lot of emphasis on whether or not Picasso’s Les Demoiselles d’Avignon, is con-
sidered the first cubism painting. Gives a basic idea which resource will better assist
in research.


Bibliographies:
4) Ehresmann, Donald L. Fine Arts: A Bibliographic Guide to Basic Reference Works,
         Histories and Handbooks. Englewood, Colorado: Libraries Unlimited, 1990: 209- 210.

     Helpful tool making aware of all references available to the topic. Easy to navigate.
Publication out-of-date, therefore references are old and out-of-date.


Dictionaries:
5)  The Dictionary of Art, 8v, s.v. “cubism,” by Christopher Green.

     Informative descriptions. Covers history, multiple artists, and styles. Also, there is a
couple example works of art, but in black and white.


6) The Harper Collins Dictionary of Art Terms and Techniques, 2nd ed., s.v. “cubism,” by
         Ralph Mayer.

     Great resource to start doing research. Short, generalized descriptions of cubism.
Gives a basic understanding and idea of what the topic is.

7) The Yale Dictionary of Art and Artists, s.v. “cubism.”

     Recent up-to-date resource. More descriptive than most dictionaries. Has research
on art styles, movements, as well as the artists. Excessive information on the background
of the artists. Another great reference to start research for a more in depth look.


Internet Sites:
8) Delahunt, Michael. 1996-2005. ArtLex on Cubism. Available [Online] :
         <www.artlex.com/ArtLex/c/cubism.html.>

     Brief, but descriptive work defining cubism and its progressiveness. There is examples
of cubism works, that is listed chronologically, which is then linked to view the work. Also,
there is many other links, through out the site, to other resources, such as definitions to words.


9) Urton, Robin. Cubism: Picasso. Available [Online] :<www.eyeconart.net/history/cubism.htm.>

     Great examples of Picasso’s work through each period of his life. Brief notations about
his work under each art movement. Excellent reproductions in full color.


10) Wee, Caven. 2005. Analytical Cubism 1907-1911: Pablo Picasso and Georges Braque.
         Available [Online] : <www.cavant-garde.com/articles/cubism.shtml.>

     Short article discussing the techniques and the break down of how it came to be.
Emphasizing that subjects were broken into cubes, spheres and cones. Suggests that
the  cubism movement is difficult to understand for most.


Magazines:
11) Cox, Neil. “Cubism: Ferrara.” Burlington Magazine, December 2004, 842-843.

     Article about cubism exhibition. Extensive information of artists from that movement
and their work with two color illustrations. Makes aware of the diversity and creativity of
the cubist movement.


12) Flam, Jack. “Juxtapositions: Picasso and Braque: Pioneering Cubism.” Art International,
         Spring 1990, 91-92.

     An outstanding article focusing on both Picasso and Braque. Very descriptive in detail
how they were similar, yet very different. Two color  illustrations from same time period,
one from Picasso, one from Braque, same style and color schemes.


13) Mattick, Paul Jr. “Picasso and Braque” Arts Magazine, September 24 – January 16,1990, 78.

     The article compares and contrast both Picasso and Braque at the exhibition at the
Museum of Modern Art. Information about both their styles and techniques. Tends to ask
you the question, “which artist is better?”


Works of Art:
14) Picasso, Pablo. “Les Demoiselles d’Avignon.” Oil on canvas. 1907. As reproduced in Gilbert’s:
         Living With Art, plate 21.17. New York: McGraw, 2005.

     Full color illustration. Picasso’s most famous painting, which argued whether it marked
the  beginning of the cubism movement. Sharp geometric shapes and angular segments,
hint towards cubism.



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